#Source filmmaker sex movie#
#Source filmmaker sex serial#

Later, she goes to live at a fire station with her new quasi-father. Fire is a recurring motif throughout the film. It's no accident that the car that seduces Alexia is painted in flames. 'I have to start with real darkness, no humanity, no hope, no glory, in order to build itself up through pain, but also through the discovery of love and emotions,' she says. But Ducournau wanted an almost uplifting ending for Titane, so she needed Alexia to start at the lowest possible point. Her weapon of choice is her hairpin, and she sticks it in the eyes and ears of harassers, lovers, and strangers. There's nothing wrong about it.' Years later, Alexia is working as a dancer at a car show, gyrating against a Cadillac emblazoned with flames.ДЄlexia is a monster not because of her urges toward cars, but because she's an unrepentant killer without remorse. 'That's how it starts for her,' Rousselle says.

She is given a titanium implant in her head that saves her life. He lashes out and they crash, causing her skull to fracture. She makes engine noises and kicks his seat. Titane opens with Alexia-which is also, not coincidentally, the name of a character in Raw-riding in the back of her father's car as a girl. Having this kind of collision in one person is, for me, talking about how our relationship to humanity, as far as it is capable of mutating or evolving-is it a doomed thing because of mortality, because of the death in us?' 'Metal is the antithesis to flesh,' she says. They are conceived as opposites, on purpose. If Raw uses live animals and flesh as a metaphor for temptation and impulses, Titane wonders if we can find humanity in manmade materials. Sitting down with Ducournau and her star Agathe Rousselle while they were in town for the New York Film Festival, I had them walk me through that crucial early moment where Alexia and a vehicle with flames on its side consummate their lust.Дucournau came up with the idea for Titane while in post-production on Raw and conceived it in a direct response to her earlier film. But talking to Ducournau, all of her choices seem rather rational. Read anything about Titane-even this very article-and it will play up the shock value.

And that's only a brief overview of what happens, not even touching on how it evolves into an almost sweet metaphor about parenthood and the lengths we will go to for filial love.

#Source filmmaker sex serial#

Titane is the tale of Alexia (Agathe Rousselle), a serial killer with a sexual attraction to cars who disguises herself as a missing boy while on the run from the cops and is subsequently adopted by that child's bereft father. Her debut feature Raw was the story of a young woman who goes to vet school, betrays her vegetarian ideas, and discovers she has a taste for human flesh. It was very clear where I would put the camera, what I would show, what I would not show.'Дucournau's films have a reputation for being wild. 'When I write, I have a strong visual take on my scenes and I write almost everything that I see. 'For me, it was very clear what I was going to do from the writing,' she tells me matter-of-factly in a New York hotel room.

#Source filmmaker sex movie#

When I ask the filmmaker Julia Ducournau how she thought about bringing the car sex scene at the start of her Palme d'Or-winning movie Titane to life, she answers bluntly.